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The fight will not die

"- How long can you live a shade after been separated of your body?

- Depends on the shade - he said -. There are shadows full of courage and others do not. But in this city do not survive long. This land did not feel well. Here the long, harsh winter. No shadow reaches to see two springs. "

Haruki Murakami - The End of the world and a ruthless Wonderland"

While we are. While beat in our hearts. As to inherit our children the fire of your love. Your beautiful and cool shade never die, never die ...

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Fedora (1978)

Recipe for Fedora: a pinch of The Twilight of the Gods , a few drops of The Bride of Frankesntein and a bunch of anecdotes life of the legendary Greta Garbo and Marlene Dietrich eternal, mix everything very well, and get to Fedora.


Based on the book by Tom Tyron a screenplay adapted by Billy Wilder and IAL Diamond , Fedora tells the story of Fedora (Marthe Keller ), an old movie star who died in Paris hit by a train. At his funeral, a movie producer (William Holden ) wondered if somehow influence in the death of the legendary actress for a few weeks before, had come to the island of Corfu, where he lived Fedora reclusive and withdrawn, for provide the role of Anna Karenina in his new film. But once there you will find a disturbing scenario. Fedora lives almost kidnapped by a curious group formed by the old Countess Sobrianski (Hildegard Knef ), a decrepit nurse, zombie-like driver and a surgeon who undergoes cosmetic surgery operations continued to maintain forever young. A sort of Dr. Frankenstein, who call their colleagues quacks.


Comparisons are always odious and so I will not compare to Fedora or Sunset Boulevard with Gloria Swanson Marthe Keller, or the young Wilder Wilder with the elderly. But if you could say that this is a pretty funny review of the legendary Sunset Boulevard.

Genius from the cradle to the grave, Wilder grabs us with This disturbing story, juicy, funny, witty, mysterious and, as always, leaves us speechless and admiring a little more than before.


Fedora's role was initially offered to Marlene Dietrich rejected it not like the original book or the script. So Wilder accepted the recommendation of Sidney Pollack and gave it to Marthe Keller. A shame about the rejection of Marlene, the whole film would have won with it, as he won Sunset Boulevard with Gloria Swanson , an actress displaced by the talkies, like Norma Desmond.

Like Fedora, Marlene became a recluse obsessed with the decline of his image.
And like Greta Garbo , Fedora retired at the top of his career. The best nod to Greta Garbo in the film is when asked to Fedora "Fedora You?" and she replies "I went Fedora " literally copying Greta Garbo's response to the same question and answer mythical " I was Greta Garbo."

is also curious that the role offered by the film producer to Fedora is that of Anna Karenina, one of the roles that overestimated to Garbo.

Another actress who refused a role in the film was Faye Dunaway.

Marthe Keller was not a true legend of cinema which is the touch that Marlene Dietrich could have given the film, but it was correct. Must see the end of the film to understand the interpretation der Keller in its entirety.

Rejection of Marlene Dietrich was the least of the problems of Wilder, as the Universal hesitated at the time of release the film because of the failure, four years before, his previous film Primera Plana, to the point that Wilder began offering the film to other studies. The film was acquired by Lorimar Productions, which raised assign to CBS for television. But before they made the offer, United Artists decided to release it. They released the film with little publicity in a small group of American and European facilities, which prompted Wilder to sue the studio.

After retouching the film and cut it 12 minutes on the recommendation of the study, Wilder became the film in Santa Barbara and the audience began to laugh in the wrong scenes. In the end, Wilder became discouraged and refused to make him more touches. Finally premiered at the Cannes Film Festival as part of a retrospective of his work.


parallels aside, the only link that holds Fedora Sunset Boulevard William Holden is no doubt that, twenty years later, returns to break into the home of a mythical movie star to reveal the intricacies of the plot, this time in the shoes of Barry Detweiler.

Henry Fonda makes a cameo playing the president of the Academy of Cinema and Michael York playing himself.

Fedora was the penultimate film by Wilder, and while it is true that the strength of this film are its performances, it is true that you will not regret to see it and you will enjoy the maze of this mysterious story to blow flashback .

Greetings and Happy New Year 2011 to all. See you next year =)

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The brash

"ease and disengage the talk or actions ... "

Clarín

The operettas are a habit, and it must be said that most people have become accustomed to them, knowing that it is this: operettas. They are media operations, very low class, vulgar, desperate.

can be understood perfectly that half monopoly, a company is desperate for losing his "privileges" historical fiercely defend their "interests", fall into the miserable lie, to invent, to guess.

Most unfortunately, always, is the role of useful idiots. That will take care of the wretched of the "company" and make it flesh. It the role of the worms crawling. Read

Morales Solá or Eliaschev, always provokes a deep disgust. Moreover, it was that caused me to read yesterday Nelson Castro, the "objective" journalist of the medium, the "jewel" expelled from an "independent means", influenced by the government. Castro spoke confidently, too, without limits or scruples, and without foundation.

A guy who is so definitely not be a journalist. A guy who (as he had done before) systematic use of psychological analysis (pathetic) of their "victims" for allegedly sunk in the mud of humiliation, to revile, and, in parallel, constantly relies on non-existent sources, may not represent journalism.

Nelson Castro is a vulture on what he considers a "corpse." Does not understand that only a vulture watching and pretending that others see what there is: a corpse. Prowls, speaks of "sadness" of the President, his pain, and then speculate about the internal wars of a government that he, as their leaders, want to see dead and is alive.

The President is sad, as many of us are (the more it). But that pain, in contrast to what he thinks Castro, we are not paralyzed, but that drives us. Nestor urges us (not the memory), the actual Nestor, who has not died. Death is just an anecdote. Talk too much love of life. The pain of the President as banks us, "the thousands of fans" Grondona equates to the Nazis.

sorry about Castro and his patrons, but no body in putrefaction to sniff and nibble. In any case, vultures, and many, rotting alive.

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Bane (Double Indemnity) 1944.




"It's a great story with lots of fantastic twists and sudden, unexpected scenes and fraught with the mystery of fate." , William Friedkin, director of The Exorcist .

In Los Angeles, an insurance salesman (Fred McMurray) plot along with a client (Barbara Stanwyck) to kill the husband of this and collect the substantial compensation and life insurance. Everything is complicated when it comes in the investigation of the insurance company owner (Edward G. Robinson).



The black film was just an artistic movement organic. In fact, he started for all purposes with Bane , as the film and the genre itself was itself as an outpost, and the background was a changing America where he began to speak of where I could get evil. Run

late 30's and early 40's, and the American public had lost some of its innocence (even today is still quite puritanical and hypocritical) and demanded more adult stories about how people actually behave. And the black film was the answer. Although the beginning of this film genre is found in magazines, pamphlets and cartoons "hard-boiled" very typical of the 30's and usually written by people current and often side with the criminal.
As a curiosity, we can cite, for example, the work The postman always rings twice two, the author James M. cain sent a copy to all studies and ultimately the book rights were bought by MGM, we are talking about the year 34, and the Hays Code to the doors the studio decided to keep the adaptation of the play in a drawer with the intention of save for the future, but that if, far more rosy.

With strong vigilance in the film and the yoke of censorship always on top, there was a wave of self-censorship. But James M. Cain all this helped him to continue writing (the literature had these absurd moral codes) and Doom wrote , thinking that the film never would.

Originally published in eight chapters in serial in Liberty magazine , it is rather a short novel. But before such a scenario of "freedom" film and adaptability of certain works, how Bane was to the big screen? There are two versions:

1 º It is said that Secretary of Billy Wilder missed a day at his job and he like a madman looking for it everywhere, it turns out that was in the bathroom reading the work and stated dirtector himself. "If this interest to my secretary in this way, should be great." But really this sounds more like legend and joke than anything else.

2 The producer Joseph Sistrom recommended it when both trabajban director at Paramount, read it and looked so good that it did not stop to get the rights. This, Dear friends, is more credible.

At this time, Billy Wilder had directed only two films The highest and lowest and Five Graves to Cairo , both of a conventional style, and saw Double Indemnity the opportunity to innovate, but Hollywood saw that story some intractable ... frighten away, Wilder felt he had to take it forward, I wanted a movie that would leave Hollywood with his mouth open and the rest of the world stunned.





Billy Wilder was a successful screenwriter (Ninotchka ), and was convinced of one thing: it was better to write with another person to write alone, I thought that 1 +1 = 3. Besides
Brackett read the script and he said it was "crap, or look better. " so he quickly had to find someone with whom he wrote the script. First elected to Cain, but he was already working for another producer, so the producer Joe Sistrom said that Raymond Chandler was very similar to the writer, and so we recommended to read The Big Sleep .
The problem was that this would be Chandler's first foray into film and was, in this sense, very naive. Moreover, when the director gave him the first draft of the script, threw it directly into the wall and snapped: "It sucks, Mr. Chandler."
From that very moment, Billy Wilder took under his tutelage to the writer, and employ about four months to complete the script enclosed in Wilder's office in the offices of the Paramount ... eventually became a couple from hell, and what were their personalities clashed immediately: Billy was enthusiastic, fun, funny, Raymond opposite. In addition, Wilder and Chandler drank too much alcohol was a recovering alcoholic ... This collaboration brought him back to drinking. Wilder

not stop walking around the office to ponder the scenes while holding a stick, something that infuriated his partner. One day, Chandler went to see one of the directors of study with the intention to resign and drew up a list of complaints, some of them very funny, for example, saying that it bothered him that Wilder wore a hat.

Nevertheless, pulled out the day that today, and according to film critics and scholars in general, and Wilder in particular is one of his best films.



Billy Wilder and Barbara Stanwyck.



Wilder insisted from the start, Mrs. Dietrichson be played by Barbara Stanwyck (who at this time was the highest paid actress in Hollywood). In fact, the highest-paid woman in America. To this we add the sexual charm given off ... and the result is a big star.
But she was not the work involved in this film: "I can not make a murderer. This will kill my career." to Wilder replied, "Hey, are you an actress or a mouse?" .

And the next question was no less complicated, because nobody wanted to play Walter Neff. "I only do comedy with Claudette Colbert" said Fred McMurray when Billy Wilder met with him, but the director wanted me to be on the tape, as it gave the character profile: the actor was able to draw interpretations of types I could go from the more decent the most cynical. His interpretation of action is crucial, because it is able to subvert the ability and instinct murderer.
And it is curious that in the end you liking her character Unlike all the treacherous Mrs. Dietrichson.



not underestimate a child's estate, Edward G. Robinson, whose character has a lot of monologues ... all nailed to perfection.



But this movie is not only good players, also has an excellent picture, signed by John F. Seitz. Basically played with the lights and shadows to create a dynamic atmosphere and help the viewer to get used to the rhythm of the script and the performances. Another
genialdad are the textures of light, for example, when first arrive Neff Once the home of Mr. Dietrichson can be seen floating in the air as dust particles (aluminum powder fell on the set of filming) and venetian blinds create a light effect which simulate a prison. Too much long scenes prevail in almost total darkness ... and that is the quintessential noir gender.

addition, at this time the color began to draw the attention of producers, executives and public as something new, so supporters of b / n did nothing to further enhance the virtues of this texture to the help of Therefore, the lights and shadows tell the story.



The house where the film was shot partly in English colonial style, still stands today, and not only used the front, also the door, hall and staircase, which takes place one of the most memorable scenes Ribbon: When Barbara Stanwyck appears with your towel after taking a "sun bath" ... that entry is unforgettable, wrapped in her towel, with the ankle bracelet ... Cain in the book makes it down the stairs wearing pajamas inside, if preferred Wilder but wrapped in a towel and leave it in the top of the house and make it appear behind a curtain, petty differences and visual touches to gain So its seductive power. This entry defines the character.

Other attractions of the film are the costumes and hair and makeup, and most striking are the lips of the actor and the blonde wig she wears ... Wilder wanted and had an exterior shape as false as its interior. A whole femme fatale.
The detail of the wig is curious: Barbara and Billy went together to buy the wig and when she finally saw the lead on, Stanwyck said she was very cheap, to which he replied that his was a woman persnaje easy and so that was the ideal choice.

Another curiosity of the shooting is found at the scene after the assassination, when both players leave the crime scene and are mounted on the car does not start and gives the feeling that they will get, Fred McMurray told the director that the scene would not work and bored the public. Today we see at any thriller such situations, but to the shooting of this film, not seen any scenes alike.



Many detective stories are based on murder and homicide, in sexuality, temperament and are transmitted up the heat. Here all this should go or make it appear less explicit form possible, because in the novel are basically born as a fornicator an adulteress as the core, but this we must add that there are two murderers. And thirdly, the film explains how to run a perfect crime ... and censorship came on the scene. However, tell Billy Wilder could not make ua thing was like putting a bull cloak, immediately react, how? plague the film two-way dialogue and other small details that go into the subconscious of the viewer. The more in tune with this is the scene in which Phyllis comes by night to Neff's house to plan the assassination, talk about what they will do and how it carried out, then lie down on the couch and kiss. Occur then cut. Appears after lying on the couch smoking a cigarette in a rather relaxed and she touch up her makeup is not very difficult to draw clear that just making love.



may improve the film censorship as a way to show the killing was to occur in the mind of every spectator. It would have been free explicit and visceral vision of murder, and had ended by converitrse one of so many B movies totally dispensable, but instead we see Barbara Stanwyck driving the car, with a face of satisfaction and an incredibly subtle contained an expression of joy hardly improved. Wonderful.

was totally impossible in 1943 when shooting the film, the moral code would allow a final ruling as reflected in Cain's novel: a double suicide. The Hays Code did not allow suicide as a way of resolving a plot. Filmed two endings: the one seen on the tape, and another in which the hero is entering the gas chamber, but not incorporated into the entire film because in the previous pass everyone was shocked by such final .
do not know how would that end, I can say is that the end we can see in the film is absolutely heartbreaking, a kind of coda.



And we came to the premiere. At the same time the tape was premiered Selznick Since you left, his great film for that year. The slogan used to promote it was " Since you left, the most famous words from 'Gone with the Wind ', which was also produced by him in the year 39. Wilder hated all the pomp, and began advertise your movie on its own: " Bane, the most important word in films 'Broken Lilies' , the biggest movie of Griffith therefore important." Selznick took him to the demons in that moment and thought to sue, but then Hitchcock took another slogan: "From 'Doom' , the most famous words in film Billy Wilder," a wonderful comment. And is that a lot of English director Double indemnity. His teammates knew what the Austro-Hungarian had made, and also knew who had opened many doors for this kind of thing.

praised Wilder's criticism, but for those who had more praise was for the interpretation of Barbara Stanwyck. They also surprised a lot (for good) Fred McMurray.



Then came the Oscars, and although the movie chose to seven golden statuettes, Wilder was afraid Siguiedo tape my way , which was Paramount's big bet for this year, and feared that split the vote. And the director is satisfied cabals Going My Way began to add accolades, one after another ...
And if you see the two bands now think, what were they thinking? Going My Way is a good movie, but nothing compared to Perdition .

Nevertheless, the success of Wilder expectartivas were passed: Billy always complained of being considered one of the second, under Hitchcock, Hawks or Ford was now regarded by all and the rest of the profession as one of the most important visible heads of cinema.
After this film, Chandler left the cinema, even though Paramount offered him two thousand dollars a week. Billy Wilder, in his next film, The Lost Weekend , reflected in Chandler from the outside. The Oscars not won the won Bane Lost Weekend. The writer responded with a series of incendiary writings were against the situation of writers in Hollywood, and by implication against Wilder.
As Fred McMurray, continued playing roles in family films and comedies, and made television, so this tape served to perpetuate it in cinematic history. The one he won after this film was Stanwyck, who established himself as one of the great figures of the decade and extended its record. She became the queen of black cinema and is very complicated to get you through this.



"I did it for money. I did it all for a woman. I did not get the money. I did not get the woman." Walter Neff (Fred McMurray).




MERRY CHRISTMAS AND HAPPY NEW YEAR, AND THAT IN 2011 ALL YOUR DREAMS Reality.
hearts to the next entry.

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Sunday Monday

On Sundays, I usually sleep with a bitter taste. In the political programs of TV is spewing all the hate. However, one should see them as if they were programs humor, that is what they are.

is true, that does not laugh Majul anyone except for his excessive willingness to pose and use now, terms such as "son of a bitch." The guy claims that it is the new Lanata. Of course I started with the decadent Lanata, and is unlikely to get out of that hole.

On the other hand, is Grondona. As an old gaga, somehow, Grondona makes me laugh, like Pino Solanas. But it is impossible to forget the origin of the type. It is intolerable that such an apologist for the dictatorship to talk about democracy and institutions.

I do not know if it's good to waste time with programs like that. But if you want, can be lived as an experience mystical, down to the lowest to return renewed.

discover that there are people who think like Grondona, is simply a devastating, disappointing. I guess sometimes it is necessary to switch off in time. Although, in fact, implies the "what" may take over the program.

When Grondona last night said "the government's problem is that it has ideological and Garre ...", said enough. You already know what's coming. No need enchastrarse so shit. For now, I think the problem the country is the proliferation of "idiots" as Grondona who do not complete extinction, the dinosaurs.

I will not be deluded or naive, but the news that "the Federal supports the decision not to carry weapons to demonstrations, to me at least hopeful. That was the first news I heard in the morning. There is an ocean between hatred distillate Grondona night and light, at least this news discourse.

Perhaps they really are building a different country. We also know that the right project includes "weapons" and that if they were, they had already used the barracks to ask for "help." They, by no means conceived force or order without weapons. That is your imagination.

Not bad dream, that "Law enforcement" are accommodating their functions and their philosophy and conforming to democratic institutional arrangements. Not bad dream that just about waiting for the dinosaurs disappeared.

Image: Nihilism

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The Joy

The increasing its fame cursed with death. Fools, tend to have a moment of rest in the siege of the damned, and then when they sense away the "damned" dead ", they attack again, against her figure. Fools, live from the debris they throw the damned. They do not realize that all they do is to measure the glory of the damned.

Kirchner became The Holy fucking for a while. Frightened, the fools, they honored his memory, but to honor his memory, "wrinkled" sovereign, before the arrival on the scene (the street) of "wild subordinated" to damn, "thousands of fans" managed to choripan base and red wine (by the damned).

The idiots tend to talk much about "forms." The shapes of the other, of course. But lose their way when the shadow hanging over their damn mediocre ambitions. The memory of the bloody, twitching. Not only the memory, but the constant presence in our heads bearing inner ghosts. In exchange for death, Kirchner proclaimed idiots relentless ghost. Alejandro Sanz was

. No, Ernesto Sanz (For the class of imbeciles is the same) was Sanz, in any case, who said that "Kirchner, if he were alive, would not have done."

is true. In desperation can be seen the misery of the people. In this "meanness" De Vido talks.

However, I can not imagine leaving Sanz mouth the word "love." Not even the word. I can not even say that I "hate." Perhaps, hatred, and betrayal, is a term reserved for men who ended up ruining a process, a dream (individual or collective) a life or lives. Not setting to mediocre. Perhaps
, Kirchner had not saluted. Neither do I. After so much humiliation, slander so free, so much contempt for popular, I would not give his hand to a miserable.
But to make it clear that Cristina is Cristina and Nestor Nestor is, and that people are not all alike, she decides to say hello. Or at least, can be seen as an official parody, or a ghostly play "damn." So I like to see: they want good ways? Take good ways. Let's laugh with class.

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Smith Goes to Washington (Mr. Smith Goes To Washington) 1939




"Capra."

I can not think of a more sharply define this masterpiece of Frank Capra teacher, despite the redundancy. Film principles and values, Capra film in its own right.

Washington
A senator suddenly dies. We must immediately find a substitute, a substitute that does not ask questions, to vote and do what you say, a puppet at the end of the day. The choice is Jefferson Smith (James Stewart ), a naive young man who leads a group of explorers.

The young Smith arrives in Washington as a senator and proposed a law that calls for the creation of a national boys camp. But the terrain in which it proposes to lift the camp is the same politicians who have chosen to support their personal gain.


Capra film takes us through the Stewart's hand to show through the eyes of this faith in the political system first and then disappointment. It may seem overly patriotic film, but I think all those images of flags and statues of Lincoln are necessary to understand the message of the film, far from being a defense of the virtues U.S. government system is a critical acid to it, and corruption is woven into their networks. So critical that many thought should not be premiering on the brink of war.

just have to see the original trailer to see how it evades the main theme of the movie. Nothing to see.



Jane Arthur in the role of secretary of Senator Smith is the thinking brain of the tandem. The experience is a plus and his policy is crucial for the development of events.
Arthur is almost half of the movie. Done a magnificent job. Had not seen much of it actress and I think you have to do something about it.


Jefferson Smith is accused of wanting to keep donations from children to the camp, a victim of the forgery of his signature on documents never seen. But what can you do when even the newspapers are bought by a tyrant, the party leader, Jim Taylor? (Edward Arnold ). Crucial scene in which Taylor's men literally run over with his truck to a cart of children trying to spread the small local newspaper and Smith that tells the whole truth.


Thanks to a technique of parliamentary filibuster, filibustering, whereby it is intended to block a law or a legislative act by a long speech, Smith manages to be heard. The Congressman has the word as it does not feel or not to stop his speech.


Jimmy Stewart performs one of the best performances I've ever seen. The film owes much to Stewart, without diminishing Capra or other actors and actresses. Because there is a very thin line between funny and ridiculous (like the patriotic speeches) and Jimmy does not just funny but also poignant, or between a long scene and a scene heavy and overloaded, and Jimmy gets a long scene, interesting, dramatic and fun time. Stewart's work is sublime, of those who are able to do a select few.


also deserves special mention Claude Rains in the role of Senator Joseph Paine, a man who believes in the American system but eventually seduced by a corrupt system. Is between a rock and a hard place, the party leader, Taylor, who represents the authority and power and it seems that reminds him when he was still young and idealistic Jefferson Smith. In the background you can see, but has much at stake.



If you have not been to that you are not waiting. And a tip, better seen in original version with subtitles. The Jimmy Stewart dubbing is really bad.

And since we did the vote on who was your favorite actor Jimmy Stewart won first prize and the chance it deserves, I leave you with this video of 21 Classic Movies on the actor. It only lasts five minutes and worth it. Have a nice weekend. A greeting.

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Despite the humiliation. In spite of injuries free. Of the worst ratings, discriminatory and degrading of human beings.

Despite persecution, unthinkable in a democracy (not the state that now seeks, but the remnants of the old state persecutor). Despite the torture and death.

Despite press operations. Despite market operations. Despite the pathetic pathetic opposition operations.

Despite decades of subjugation. Despite ninguneo.

Despite traitors. Despite being able to sell the home and his mother, to have their fifteen minutes of fame.

Although the "judges" safeguarding the interests of economic power.

Despite those leaving. Much to the regret of those who go and spill shit on the plate that they ate.

Despite lukewarm. Despite tense.

Despite the blows. Despite huevazos and deshuevados.

Despite Mirtha Legrand, Mariano Grondona, Pepe Eliaschev, Luis Majul and all others who do not need to name. Despite all those who sow bitterness because. Despite the bitter incurable.

Despite the contempt. In spite of envy. Despite the selfishness. Can not.

No able with this revolution of joy (Companion Correa dixit). Nevertheless, they can not wipe the smile, laughter. We laugh out loud, while die eaten by the cancer of hatred.

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damn

not resign. Arrive on December 10, 2011 and will sit there. Not resign. You do not want to go and assess sweating, which is the price for betraying. Think, that maybe should not have voted "no positive". It is torment. Wants to kill his daughter for having "advised" that way. The brutal punishment from their powerlessness.

But not resign. For the armchair gave him his fifteen minutes of fame. He thought that night "wonderful" is eternizaría. But even had the dignity of the greatest traitors of the books. Neither will.

horrors will suffer the dreams of seeing the miserable collapse. Suffer other horrors while campaigning and he was trembling, not decide to go or come. You see, like molasses poured fame. You'll know inconsequential.

not want to get rid of that little object of desire "that led to the apotheosis of that, however, now seems not worth anything to anyone. What was is no more. One would like to keep those moments forever in which touch the sky with your hands. But there comes a time when the resignation should be.

is not the case. Not accept those who are about to lose everything, even implicitly, is already lost. But everything, it is not even shame.

not resign, because that office is the last bastion of the desperate. The corner.

will have to go out. Say that use of force. remind institutions. Resort to non-existent laws. An interim measure. Draw upon the story, written by the power of "soulless", and say that he, who pacified the country, and that night only unique, which left only on their backs and in his consciousness, the weight of betrayal. And us, the shame.

not resign. Argued that the powerful will abandon to their fate. And men in uniform come out of the flap, sadly, as you pick up the picture of a murderer, who usurps a privileged and undeserved. Then nothing.

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never so explicit Cleto

Clarín indigestion does not usually have time to practice the political media operations. We already know that it is and act. Who are, moreover, their useful idiots. In all areas, the group is well trained spokespersons.

No, free, Lanata said Clarín "is the weakest link" in this war. OR Gate, "the victim" of the government's actions. Here there is no "context" discourse. That's what they say literally.

And no, for free, because this owner among thousands, say, does nothing to reveal what the "reference" ideological group. And no, free, Magnetto can bring an opposition that adheres strongly to the policy nineties.

market is everything to Clarin and its employees. Happiness makes the world market. There is the satisfaction of a group of "Black heads" that access to the Universal and Son, which heads the cover of such a tool of the liberal right.

speaking, of course, of "activist journalism", it is people who are "terrified" when the director is wielding the phrase Telam. Because, of course, the militants for the group's militancy of their interests and nothing else. Understood

militancy as a tool for the welfare of an ensemble, on the other hand we have the militancy privatized. "My slaves militate for me from a life of pleasure."

And there's not much to add, except that if Zapatero exciting market with a setting, the discussion left and right again become a pantomime.
And also, that objectivity in journalism, has died.

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say that no two without three ...

DeCorazones1
DeCorazones2

When I got off the train and I saw you staring at me, I could not remember what time I had left there.
did not even make a single reproach, I could not even feel a trace of sorrow. Seguí
long and the sidewalk with the clear intention to leave you behind, of losing again. But you recover soon
distance and match your step with mine.
And it will, nomas, I can miss at times, but I must accept that you never give up.

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What is the size of your drawer, I wonder ... fit comfortably, you have more than enough space, or will have to bend to a foot or hand is out?

will rest in peace or will your body rotting, festering hate it when you were alive?

thousands weep in front of your body stiff? Demonstrations of infinite love you lavished over the country those who adhere to your "bright ideas"? Endure your ideas? They refute the concept of death as the ultimate end of man? To conquer death, as the great men win, and survive in the soul of the people, the people?

will come month after month to honor your memory those who loved you, love you and love you? Fill the streets, squares, cities to shout that death is just a story and that is much larger inheritance? Thousand flowers bloom in the garden of sadness?

Someone somewhere will ask if you're really dead? Someone trample your dead body nonsense?

Hatred, the paramount value that crops will be able to eternizarte in popular memory?